There is this tension within Black American Intelligentsia. Which in it's simplistic form can be narrowed to perception and utility.
- Perception--Specifically, the euro-centric critique of the Black Communities generalities, the prejudices of the greater society.
- Utility--The continuing Booker T. Washington and W.E.B. Dubois debate.
Tyler Perry's works are not Amos and Andy minstrels or "Gone With The Wind" affections and it's myriad examples that litter the American cultural land-scape from Michael Jackson to Oprah Winfrey. So what exactly is Spike Lee's criticism based on?
Simply creating or depicting a character as Spike Lee does who knows how to flip "The Man" off does nothing to address the schizophrenic nature and alienative imperative of the Black American Experienced realities. As a matter of fact it is mere therapeutic indulgences. it instead affirms the basic contradictions and antagonisms of American society which Spike Lee and the strident impotence of his works purports to outline in graphic detail. Nonetheless save for the entertaining value does nothing to resolve.
By Apropos
Make your comments, lets get back to thinking.
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