Tomes have been written on how one culture is vastly superior to another, how Europe's civilization, particularly the industrial revolution has been for the greater good of humanity and the human condition, how cultures not holding the same aspirations and instincts compatible with Europe's are backwards, ignorant, barbaric, etcetera.
Volumes fill shelves dusty with optimistic realization of pessimism that qualifies the human condition.
The fact and the truth is creature comforts and technological advancement do not in any priori form fashion or manner qualify as a greater good as the sages of each milieu trumpet.
The human being per virtue of it's mental ability, that specificity to learn and apply such learning qualitatively rose up from amongst the midst of beast by extension of it's technology, the human condition derived, as it is experienced, is simply the quality of that primal technology and it's specific and particular refinement.
But the essence of human culture, it's conscience remains the same. It has remained the same, an inability of human conscience to come to terms with that objectivity it's technology has created. The senseless destruction and chaos in the wake of such technological progress makes a fraud of any claim man lays to progress---that standard, the ideal of sanctity of the human experience has surreally and idealistically under the guise of practicality been co-oped by the infantality of man's mind is the face of the mysterious and unforgiven principles man's technology has uncovered--- to the extent, that technology as it empowered and was that motive for humanity's ancestral brain development has now simply become the stagnancy of mere refinement, holding prisoner the mind that brought it forth.
By Apropos
Tuesday, June 26, 2007
Friday, June 22, 2007
The Prisoner's Wife by Asha Bandele: A Review
The book is supposedly a love story. But I don't know what to make of it--- it's too full of recriminations, regrets, resentments, and condescension to be a result of love, as love is understood by human condition.
The setting for this "Love" is prison, not any prison for that matter but the insidious and Machiavellian enterprise of an American prison, The Department of Corrections of the United State of New York. The story is a reflection of the tumultuous State of America cultural expression and it's subjective, American hearts and minds, because if the cultural and emotional expression of the human is simply a sum of character, then love as the ultimate value of emotion and it's medium culture will reflect the state and nature of its subjective. Emotion in the most sublime of conditions and environment is still a strange and mysterious beast, add the ingredient of the most alienative and perverted environmental condition known to humanity, Prison and what will you have? What you should have is the sum value of human character, that baptism by fire through adversity, that qualitative redemption from the disjointedness of chaotic quantity but Ms. Bandele fails to even have an inkling of the maxim "I'm Solitude Made Man"--- Solitude which in this context is anguish, the accomplice of love, love which she claims.
The author's emotional consciousness is either objectively malnourished or her alienation from objectivity of her femininity is so complete that she is confused. She mistakes the adventurous inclination of her Eros with that most consuming of emotions, Love. Whether or not she wants to face up to and has the presence of mind to acknowledge it, she simply has a stimulating adventure with a prisoner, a test in that most simplistic and primitive of human urges, Self-Gratification in its motive of one-upsmanship. As the tongue in cheek, Succinctly puts it " I wanted to be important to someone again" [pp.27]
For starters ,Rashid her beloved, lover and subsequent husband is to one-dimensional and acquiescent, an emasculated corollary of collateral damage from the was between the sexes submitting disgracefully to his wife Asha's each and every undisciplined desire and infantile idealism for whatever it is and was, that was between them to be of the higher human emotion, Love. The only excusable rationalization init-self and its satisfying impact on his"..Scorched-earth" [pp.165] psyche was enough to over look the dominance of his wife and that spells eunuchism.
What is striking and revealing is at every turn of the way, their way and obstacles crop up, which in the general sense, with its solution of how the contend with it would enable their humanness to define and give credibility to the love they purportedly share both fail qualification pathetically. Rashid the prisoner and husband for being effeminate and obeisant to his wife's each and every indulgence and Asha the wife for misplacing her need for self-affirmation and it's redemptive catharsis with love.
The author presents an unstated and treacherous premise that the pursuit of emotional, mental and physical communion between the imprisoned human and the free one is utterly unrealistic, futile and its fidelity is unattainable---this premise itself raises the question of what role if any those higher sentient and sapient potentials of humanness plays in the condition of love, not as we misconstrue it to be but as we aspire it to be. If as we are wont to say that love has many facets and conditions then Rashid and Asha's rank at that, no greater than the sum of their underdeveloped psyches. What then is Ms.Bandele telling us, " That the spirit is willing but the body is weak"? Or the whole relationship was nothing more than an Academic project that is now bearing fruit with her writing a book about it.
To make a long story short "The Prisoners Wife" is a story of a relationship between a male and female and their dishonesty and inability in coming to terms with the fact that they lacked the manhood and womanhood to develop, nurture and sustain love in the most stifling of environments------Prison.
The setting for this "Love" is prison, not any prison for that matter but the insidious and Machiavellian enterprise of an American prison, The Department of Corrections of the United State of New York. The story is a reflection of the tumultuous State of America cultural expression and it's subjective, American hearts and minds, because if the cultural and emotional expression of the human is simply a sum of character, then love as the ultimate value of emotion and it's medium culture will reflect the state and nature of its subjective. Emotion in the most sublime of conditions and environment is still a strange and mysterious beast, add the ingredient of the most alienative and perverted environmental condition known to humanity, Prison and what will you have? What you should have is the sum value of human character, that baptism by fire through adversity, that qualitative redemption from the disjointedness of chaotic quantity but Ms. Bandele fails to even have an inkling of the maxim "I'm Solitude Made Man"--- Solitude which in this context is anguish, the accomplice of love, love which she claims.
The author's emotional consciousness is either objectively malnourished or her alienation from objectivity of her femininity is so complete that she is confused. She mistakes the adventurous inclination of her Eros with that most consuming of emotions, Love. Whether or not she wants to face up to and has the presence of mind to acknowledge it, she simply has a stimulating adventure with a prisoner, a test in that most simplistic and primitive of human urges, Self-Gratification in its motive of one-upsmanship. As the tongue in cheek, Succinctly puts it " I wanted to be important to someone again" [pp.27]
For starters ,Rashid her beloved, lover and subsequent husband is to one-dimensional and acquiescent, an emasculated corollary of collateral damage from the was between the sexes submitting disgracefully to his wife Asha's each and every undisciplined desire and infantile idealism for whatever it is and was, that was between them to be of the higher human emotion, Love. The only excusable rationalization init-self and its satisfying impact on his"..Scorched-earth" [pp.165] psyche was enough to over look the dominance of his wife and that spells eunuchism.
What is striking and revealing is at every turn of the way, their way and obstacles crop up, which in the general sense, with its solution of how the contend with it would enable their humanness to define and give credibility to the love they purportedly share both fail qualification pathetically. Rashid the prisoner and husband for being effeminate and obeisant to his wife's each and every indulgence and Asha the wife for misplacing her need for self-affirmation and it's redemptive catharsis with love.
The author presents an unstated and treacherous premise that the pursuit of emotional, mental and physical communion between the imprisoned human and the free one is utterly unrealistic, futile and its fidelity is unattainable---this premise itself raises the question of what role if any those higher sentient and sapient potentials of humanness plays in the condition of love, not as we misconstrue it to be but as we aspire it to be. If as we are wont to say that love has many facets and conditions then Rashid and Asha's rank at that, no greater than the sum of their underdeveloped psyches. What then is Ms.Bandele telling us, " That the spirit is willing but the body is weak"? Or the whole relationship was nothing more than an Academic project that is now bearing fruit with her writing a book about it.
To make a long story short "The Prisoners Wife" is a story of a relationship between a male and female and their dishonesty and inability in coming to terms with the fact that they lacked the manhood and womanhood to develop, nurture and sustain love in the most stifling of environments------Prison.
I close with, Asha Bandele invoked Assata Shakurs'
"If I know anything at all
It's that a wall is just a wall
and nothing more at all.
It can be brought down."
And for 219 pages made a mockery of it with erecting that most noxious of walls---Condescension.
Apropos
"If I know anything at all
It's that a wall is just a wall
and nothing more at all.
It can be brought down."
And for 219 pages made a mockery of it with erecting that most noxious of walls---Condescension.
Apropos
Comments Political-Economy "A Rigor"
Comments Political-Economy
"A Rigor"
"A Rigor"
Tomes have been written on how one culture is vastly superior to another, how Europe's civilization, particularly the industrial revolution has been for the greater good of humanity and the human condition, how cultures not holding the same aspirations and instincts compatible with Europe's are backwards, ignorant, barbaric, ectetera.
Volumes fill shelves dusty with the optimistic realization of pessimism that qualifies the human condition.
The fact and the truth is creature and technological advancement do not in any priori form fashion or manner qualify as a greater good as the sages of each milieu trumpet.
The human being per virtue of it's mental ability, that specificity to learn and apply such learning qualitatively rose up from amongst the midst of beast by extension of it's technology, The human condition derived, as it is experienced, is simply the quality of that primal technology and it's specific and particular refinement.
But the essence of human culture, it's conscience remains the same. It has remained the same, an inability of human conscience to come to terms with that objectivity it's technology has created. The senseless destruction and chaos in the wake of such technological progress makes a fraud of any claim man lays to progress--- that standard, the ideal of the sanctity of the human experience has surreally and idealistically under the guise of practicality been co-opted by the infantility of man's mind in the face of the mysterious and unforgiven principles man's technology has uncovered--- To the extent, that technology as it empowered and was that motive for humanity's ancestral brain development has now simply become the stagnancy of mere refinement, holding prisoner the mind that brought it forth.
Volumes fill shelves dusty with the optimistic realization of pessimism that qualifies the human condition.
The fact and the truth is creature and technological advancement do not in any priori form fashion or manner qualify as a greater good as the sages of each milieu trumpet.
The human being per virtue of it's mental ability, that specificity to learn and apply such learning qualitatively rose up from amongst the midst of beast by extension of it's technology, The human condition derived, as it is experienced, is simply the quality of that primal technology and it's specific and particular refinement.
But the essence of human culture, it's conscience remains the same. It has remained the same, an inability of human conscience to come to terms with that objectivity it's technology has created. The senseless destruction and chaos in the wake of such technological progress makes a fraud of any claim man lays to progress--- that standard, the ideal of the sanctity of the human experience has surreally and idealistically under the guise of practicality been co-opted by the infantility of man's mind in the face of the mysterious and unforgiven principles man's technology has uncovered--- To the extent, that technology as it empowered and was that motive for humanity's ancestral brain development has now simply become the stagnancy of mere refinement, holding prisoner the mind that brought it forth.
By Apropos
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