Oman O' Man The Musical, The Naivete of Debbie Allen and U.S. and Arab-Islamic Relations

The renowned choreographer Debbie Allen with the production of Oman O' Man, a musical intended to bridge U.S. and Arab-Islamic relations.  Has brought into the false premise of U.S. and Arab-Islamic relations.  Because the dynamic behind the relations is not ignorance of the Arab-Islamic world by the American people, which specifically means the U.S. government.

But the corporate media fueled ignorance is a deliberate calculus by certain imperatives and aspects of U.S. Political-Economy.  Because it conveniently serves their interest and the naivete of another sheep-eyed intelligentsia toiling under the arrogant premise that all it takes to bridge the fraudulently artificial divide of U.S. and Arab--Islamic relations is another musical a la' the privileged abandoning the Urban-Pop culture field to the exploited and marginalized with Oman O' Man it's expression is merely another historical diversionary tool.
By Apropos